Project "Row Houses"

Exerpt from New Your Times.

ON a strangely balmy late autumn afternoon, while the art world busied itself in Miami with beachfront reservations and limo drivers, Rick Lowe was, as he generally is, on Holman Street in southeast Houston’s predominantly black Third Ward, greeting another out-of-towner.

In the gloaming, decrepit houses and weedy lots dotted some surrounding blocks, on the edges of which were new double-garage brick homes — signs of encroaching gentrification, an unwanted side effect of Mr. Lowe’s work.

Although it’s hard to tell at a glance, this stretch of Holman may be the most impressive and visionary public art project in the country — a project that is miles away, geographically and philosophically, from Chelsea and Art Basel and the whole money-besotted paper-thin art scene.

Mr. Lowe, a lanky, amiable, remarkably youthful-looking 45-year-old artist from Alabama, moved to Houston 21 years ago and lives here in the Third Ward, where he founded Project Row Houses. In 1990, “a group of high school students came over to my studio,” he recalled. “I was doing big, billboard-size paintings and cutout sculptures dealing with social issues, and one of the students told me that, sure, the work reflected what was going on in his community, but it wasn’t what the community needed. If I was an artist, he said, why didn’t I come up with some kind of creative solution to issues instead of just telling people like him what they already knew. That was the defining moment that pushed me out of the studio.”

He tried to think afresh what it meant to be a truly political artist, beyond devising the familiar agitprop, gallery decoration and plop-art-style public sculpture. He considered what the German artist Joseph Beuys once described as “the enlarged conception of Art,” which includes, as Beuys put it, “every human action.” Life itself might be a work of art, Mr. Lowe realized: art can be the way people live.

And the Third Ward could be his canvas. He was inspired by John Biggers, the late African-American muralist who painted black neighborhoods of shotgun houses like the ones on Holman Street and showed them to be places of pride and community, not poverty and crime. “It hit me,” Mr. Lowe recalled, “that we should find an area like the one that Biggers painted that was historically significant and bring it to life.”

Behind him as he spoke, a phalanx of 22 gleaming shotgun houses stretched across two blocks. Built in 1930 as tenant shacks, derelict by the early ’90s, they were bought by Mr. Lowe and a coalition of artists and others. To Mr. Lowe they were like “found objects.”

Seed money came from the National Endowment for the Arts and from the Elizabeth Firestone Graham Foundation. The director of the Menil Collection gave his staff Mondays off to help renovate. Chevron redid the outside of a dozen buildings. Hundreds of volunteers pitched in to clear trash and sweep up used needles, hang wallboard and fortify porches. A local church adopted a house, and so did people and families from the neighborhood.

"Place-making" Arizona Style

Tempe officials hope to make downtown a "place" - a vibrant hub of pedestrian activity engulfing Papago Park, the Mill Avenue District and Tempe Town Lake.

To do that, Tempe needs a seamless connection of pedestrian-friendly roads and walkways throughout the region. It needs to cluster landmarks, destinations and icons close together, then build attractive passageways between them, Phil Myrick, vice president of Project for Public Spaces, said at a meeting Monday.

"When you push them together, it makes more energy," Myrick said. "There should be so many things to do that everybody in the community has the opportunity to go there and spend hours."
Tempe hired the New York-based nonprofit consulting organization to help bring people to downtown Tempe landmarks.

Through town hall meetings and volunteer data collectors, including more than 100 ASU students, the consultants are identifying the key destinations that can become "places."
Myrick calls his project "placemaking" - turning a neighborhood, city or destination from somewhere people can't wait to get out of to somewhere they never want to leave."
[Tempe has] all the elements, but they're not organized in a way that makes sense," Myrick told a joint meeting that included the Tempe City Council and the boards of directors from the Tempe Chamber of Commerce, Tempe Convention and Visitors Bureau, and the Downtown Tempe Community.

He then presented a preliminary plan to link Tempe's landmarks and destinations in a way that would entice pedestrians to stop and spend time instead of passing through.
"We can't leave it to the private sector to come up with a vision for this lake," Myrick said. "It's just not going to happen."

City staff, volunteers and ASU planning students combed Mill Avenue and other locations, asking questions and gathering data to pinpoint the most popular destinations, their strengths and their shortcomings, said Eric Hansen, a Tempe planner who has been working on the project

Sustainable Building Checklist

workinproperty.com 06 March 2007

A checklist has been prepared by Checklist South East to help all parties in the development process consider the true impact of any project.

The checklist is intended for the use of developers to ensure that they have tackled the critical issues in their proposal. Similarly it is adopted by planners when considering an application.
The Checklist takes into account industry standards such as BREEAM, Ecohomes, Urban Design Compendium, National Standards Framework.

The Checklist is divided into sub sections, as taken from their website:

• Climate Change and Energy To ensure that new developments are appropriately adapted to the impacts of present and future climate change and to minimise their own impact on greenhouse gases, flooding, heat gain, water resources and water quality.
• Community
  To ensure that the development supports a vibrant, diverse and inclusive community which integrates with surrounding communities.
• Place Making To ensure that the most sustainable sites are used for development and that the design process, layout structure and form provide a development that is appropriate to the local context and supports a sustainable community.
• Transport and Movement To ensure people can reach facilities they need by appropriate transport modes, encouraging walking and public transport use and reducing the use of private cars for shorter journeys.
• Ecology To ensure that the ecological value of the site is conserved and enhanced maintaining biodiversity and protecting existing natural habitats which can contribute to and enhance the amenity of the area.
• Resources To promote the sustainable use of resources, including the reduction and re-use of wastes, related to both the construction and operation of new developments.
• Business To ensure that the development contributes to the sustainable economic vitality of the local area and region.
• Buildings To ensure that the design of individual buildings does not undermine the sustainability of the overall development.
  Checklist South East allows the various parties to answer the numerous questions on-line, providing policy guidance as well as the relative importance of each question.

An important tool in an ever changing (planning) climate..