Wednesday, February 28, 2007

Ten Principles for Creating Successful Squares

by Project for Public Space PPS

The Small details add up to great places.

Squares have been a core focus of PPS beginning with our first project 30 years ago--Rockefeller Center's Channel Gardens. We've honed the ten principles below based on the hundreds of squares--the good and the bad--that we've analyzed and observed since then. What stands out most is that design is only a small fraction of what goes into making a great square. To really succeed, a square must take into account a host of factors that extend beyond its physical dimensions.
1. Image and Identity
A popular square in Copenhagen, Denmark.
Historically, squares were the center of communities, and they traditionally helped shape the identity of entire cities. Sometimes a fountain was used to give the square a strong image: Think of the majestic Trevi Fountain in Rome or the Swann Fountain in Philadelphia's Logan Circle. The image of many squares was closely tied to the great civic buildings located nearby, such as cathedrals, city halls, or libraries. Today, creating a square that becomes the most significant place in a city--that gives identity to whole communities--is a huge challenge, but meeting this challenge is absolutely necessary if great civic squares are to return.


2. Attractions and Destinations
Ghirardelli Square, San Francisco.

Any great square has a variety of smaller "places" within it to appeal to various people. These can include outdoor cafés, fountains, sculpture, or a bandshell for performances. These attractions don't need to be big to make the square a success. In fact, some of the best civic squares have numerous small attractions such as a vendor cart or playground that, when put together, draw people throughout the day. We often use the idea of "The Power of Ten" to set goals for destinations within a square. Creating ten good places, each with ten things to do, offers a full program for a successful square.
3. Amenities
Circular benches provide a comfortable place to sit in Rockefeller Center, New York City.

A square should feature amenities that make it comfortable for people to use. A bench or waste receptacle in just the right location can make a big difference in how people choose to use a place. Lighting can strengthen a square's identity while highlighting specific activities, entrances, or pathways. Public art can be a great magnet for children of all ages to come together. Whether temporary or permanent, a good amenity will help establish a convivial setting for social interaction.
4. Flexible Design
Tennis on the square, Copenhagen.

The use of a square changes during the course of the day, week, and year. To respond to these natural fluctuations, flexibility needs to be built in. Instead of a permanent stage, for example, a retractable or temporary stage could be used. Likewise, it is important to have on-site storage for movable chairs, tables, umbrellas, and games so they can be used at a moment's notice.

5. Seasonal Strategy
The holiday market in New York's Union Square.
A successful square can't flourish with just one design or management strategy. Great squares such as Bryant Park, the plazas of Rockefeller Center, and Detroit's new Campus Martius change with the seasons. Skating rinks, outdoor cafés, markets, horticulture displays, art and sculpture help adapt our use of the space from one season to the next.

6. Access
A short pedestrian crossing at Plaza Santa Ana in Madrid, Spain.

To be successful, a square needs to be easy to get to. The best squares are always easily accessible by foot: Surrounding streets are narrow; crosswalks are well marked; lights are timed for pedestrians, not vehicles; traffic moves slowly; and transit stops are located nearby. A square surrounded by lanes of fast-moving traffic will be cut off from pedestrians and deprived of its most essential element: people.

7. The Inner Square & the Outer Square
Ground floor retail rings the edge of this square in Verona, Italy.

Visionary park planner Frederick Law Olmsted's idea of the "inner park" and the "outer park" is just as relevant today as it was over 100 years ago. The streets and sidewalks around a square greatly affect its accessibility and use, as do the buildings that surround it. Imagine a square fronted on each side by 15-foot blank walls -- that is the worst-case scenario for the outer square. Then imagine that same square situated next to a public library: the library doors open right onto the square; people sit outside and read on the steps; maybe the children's reading room has an outdoor space right on the square, or even a bookstore and cafe. An active, welcoming outer square is essential to the well-being of the inner square.

8. Reaching Out Like an Octopus
A great square reaches out into the surrounding neighborhood, like Piazza Maggiore in Bologna, Italy.

Just as important as the edge of a square is the way that streets, sidewalks and ground floors of adjacent buildings lead into it. Like the tentacles of an octopus extending into the surrounding neighborhood, the influence of a good square (such as Union Square in New York) starts at least a block away. Vehicles slow down, walking becomes more enjoyable, and pedestrian traffic increases. Elements within the square are visible from a distance, and the ground floor activity of buildings entices pedestrians to move toward the square.

9. The Central Role of Management
Attentive maintenance is an essential part of good management in St. Stephen's Green, Dublin.

The best places are ones that people return to time and time again. The only way to achieve this is through a management plan that understands and promotes ways of keeping the square safe and lively. For example, a good manager understands existing and potential users and gears events to both types of people. Good managers become so familiar with the patterns of how people use the park that waste receptacles get emptied at just the right time and refreshment stands are open when people most want them. Good managers create a feeling of comfort and safety in a square, fixing and maintaining it so that people feel assured that someone is in charge.
10. Diverse Funding Sources
Sponsorships can help fund events like Festa Italiana in Portland's Pioneer Courthouse Square.

A well-managed square is generally beyond the scope of the average city parks or public works department, which is why partnerships have been established to operate most of the best squares in the United States. These partnerships seek to supplement what the city can provide with funding from diverse sources, including--but not limited to--rent from cafés, markets or other small commercial uses on the site; taxes on adjacent properties; film shoots; and benefit fundraisers.

Importance of a SQUARE

by whaday 1.30.07

Take a look at "Squares" by Mark Childs, published in 2005. It is a design manual book for urban designers around the concept of the plaza, square, green, etc. (he does discuss other forms of public space and classifies them).

In planning and architecture here in New Mexico, the plaza is a key typology we all must study. No plaza is worth its weight in frijoles without retail to ring the exterior. This is what gives it life. It is the "third place" and provides the excuse for being there at all, let alone a reason to stop.

The typical scenario (not always followed) for the Laws of the Indies settlement requirements included an open rectangle of specified proportions with the church on the north side, government functions on the south and retail on the sides.

Make sure you do consider the role of vendors in public space in some sense, though, They are extremely important in addressing some of the key factors that make public space lively (and are adaptable to locations where a permanent structure may be impractical or costly). Again, Childs' book has lots on this, as does William Whyte and the Project for Public Spaces (based largely on Whyte's writing). Food is especially important, which Childs relates to the psychologist Maslowe's "hierrchy of needs" (meet the most basic needs first).

New Urbanism (one view)


New urbanism occasionally encompasses other city planning systems such as smart growth, and is occasionally recognized as a separate entity. The idea claims to originate in the early twentieth century with the development of the neighborhoods it uses as models, though as a movement, it is responding to the perceived weaknesses in suburban development.

Whether or not smart growth is an offshoot of new urbanism, the two share a number of concepts. Both emphasize the important of a compact, walkable community center, and the assimilation of different types of housing and commercial buildings. An emphasis on environmentally-conscious building, the renovation of brown- or greyfield land, and historic preservation are other similarities.

However, because new urbanism was created as a specific theory for urban design rather than simply being based on a looser set of ideals, its definition is more concrete than that of smart growth. Andres Duany and Elizabeth Plater-Zyberk founded the Congress for the New Urbanism, inspired by the time the husband-and-wife team spent at Yale. Their guidelines for a ‘new urban’ neighborhood suggest the inclusion of most of these elements:
  • A recognizable center for the town/city/community, such as a green square or distinctive intersection, in which the transit stop is also situated.
  • Buildings in the neighborhood center placed close to the street, to form a well-defined space.
  • A walk of not much more than 5 minutes from any home to the community center, or approximately 2,000 feet.
  • Mixed housing types, including apartments, rowhouses and detached homes, to provide a suitable dwelling for people of all ages and all economic means.
  • An auxiliary building for workspace or a garage apartment is allowed in the backyard of each home.
  • Parking lots or garages in the back of homes and businesses, rather than fronting the streets.
  • Shops and offices to sufficiently serve the weekly needs of residents on the edge of the community.
  • An elementary school close enough for most children to walk from home.
  • Small parks or playgrounds near every home, not more than a tenth of a mile away.
  • Streets that create a linked network to disperse traffic.
  • Relatively narrow streets, suitable for pedestrians and bicycles, preferably lined with trees.
  • Some major spots in the neighborhood center reserved for buildings to facilitate community meetings and activities, or for religious, cultural, or educational purposes.
  • A self-governing community, guided by a council that makes decisions on maintenance and change.


There are a number of complaints lodged against new urbanism—the first, a semantics issue, that the scheme is not actually ‘new,’ as it derives its inspiration from American towns of the pre-automobile era. Some argue, conversely, that this halcyon design is based upon a system that exists only in nostalgia. Either way, it has drawn criticism chiefly for emphasizing aesthetic values over practical design, especially as a new urban community might relate to the surrounding region. The delineation of design elements irks those who feel the plan undermines American property rights and civil liberties, while on the opposite side of the spectrum, some accuse it of being a gentrification plan that would force lower-income families from their neighborhoods. Though the transportation habits of new urban residents may improve, the communities tend to remain socially homogenous ones.

Mixed-Use Summit


12/18/06

Never mind the fact that I'm supposed to be finishing a final for intellectual property, I spent the day at Victory Park and the new Dallas W Hotel, attending the Mixed Use Summit, presented by Commercial Property News and Multi-Housing News. I found the seminar extremely enlightening and educational; I wanted to pass on some nuggets of green development wisdom. If you could provide a nugget, a quote of sorts, on green building and the future of sustainability, what would it be? Comments are open.

On Sustainability:
"If you're not thinking about sustainability, you're missing the boat. TODs, urban development, LEED, etc. There are four reasons you should be thinking about it: (1) it's the right thing to do, (2) your competition's doing it, (3) it adds value to the project, and (4) it speeds up the process." - Ken Ryan, Principal of EDAW Inc.
On LEED:
  • "This is where the future is going and groups are getting staffed up with LEED Accredited Professionals, they're getting everyone certified."
  • "It's sort of a best practices thing."
  • "It's easier to sell LEED to corporate tenants, rather than human tenants, but we're starting to get there..."
  • "If you have a project and people are worried about the bottom line, it's tough to go LEED, especially the contractors--they're hard to get on board, but the sales appeal is very big. Developers know the appeal is big and they're trying to figure it out..."
  • "In a place like Chicago, with all the requirements they have, you're about 3/4 the way to LEED, so you might as well take the plunge and go all the way."


This conference had many of the best developers and architects from around the country in one room, strategizing and talking about the future of land use, specifically urban development + smart growth, in the US.

BOHO Centers Design Charrette

What is a BOHO Design Charrette?

Based on the pricipals of New Urbanist Design Charrette, it is
  • An open process that includes all interested parties
  • A collaborative process involving all disciplines
  • A process that produces a feasible plan.
The Charrette combines this creative, intense work session with public workshops and open houses. Its an intense collaborative planning process that harnesses the talents and energies of all interested parties. We bring it a team of professionals experienced in the Town Planning disciple to create and support a feasible plan that represents transformative community change.

The workflow of the Charrette involves a series of design sessions and public input cycles for multiple, consecutive days. All interested parties are invited at scheduled intervals: the city planner, fire department, public works, planning and zoning, council members, and local business owners. Stakeholders in the community become aware of the complexities of development and design issues, and everyone works together to arrive at the best possible solution. They are also welcome to visit the Charrette Studio site throughout the Charrette during open hours. In this way, it does not consume large blocks of time for residents or officials. This input is used to refine the alternatives and create more detailed plans that are again reviewed and critiqued by the public during an open house. The design team further refines and narrows the feedback into a final plan and set of implementation documents to be presented for public confirmation on the final night of the Charrette.

Benefits of a Charrette:
Conventional approaches to the public approval process are failing. Even high quality architectural and planning projects with demonstrable public benefit may lose support without a collaborative approach. The public design Charrette has emerged as an alternative to the "design and present" convention. Charrettes provide a framework for creating a shared vision with community involvement, directed by consultants representing all key disciplines.

It is important to note that the project is not complete when the Charrette is over. Plan refinement and further feedback occur through discussions and a follow-up meeting approximately a month after the Charrette. This allows everyone to check in on the refined Charrette plan and to allow for one final review and comment.

Tuesday, February 27, 2007

A Detailed Definition of BOHO-centers

BOHO centers are the only high density mixed use retail and residential development that exceed existing standards in their economic, cultural, social, and environmentally sustainability to create the needed vitality to act as a catalyst of growth for the surrounding area.

Requirements:

Design-The standard project program is a high density multi use environment that is sensitive to the surrounding location in scale and style. Development is an 8-16 acre site with pedestrian-friendly traffic patterns and green gathering spaces for individuals to utilize for its 24-7 days worth of services and active spaces. Project must have close proximity to multiple mass transit opportunities. Projects must be (LEED) Green Building Rating System™ certified.

Economic-Take advantage of undervalued urban land to create a retail district with national independents as anchors and affordable entry level lease for boutique and localized retailers. Smaller Café’s and tavern spaces are set aside to encourage multiple styles of restaurant and relaxing options. Coffeehouses and independent bookstores are encouraged to align around exterior common gathering space. Loft style housing and office options are created with minimum design elements to reduce initial capital investment and encourage a sense of ownership in the leassors by their customization of space.

Monday, February 26, 2007

What are BOHO Centers?

Briefly,

BOHO Centers are the natural evolution in the high density retail-based mixed use development model that is emerging onto the real estate scene. Imagine if you took one of the popular faux "Mayberry" Lifestyle Centers, stripped away the faux-ness, reduced it to the scale of a small Parisian block or five and built a completely sustainable development that respects as well as enhances its surrounding environment to create a Sense of Place.

Add to the mix some affordable housing lofts for the creative class and workforce, a couple town home lofts for empty nesters... throw in professional services space, unique virtual office spaces, and balance the standard retail chain stores with emerging and authentic shops such as independent bookstores, emerging retail brands, art galleries, grocery store, bodegas, cafe's...

Then you have a BOHO Center